{"title":"20% Walker Publications","description":"\u003cp\u003eBlack Friday 2025 20%\u003c\/p\u003e","products":[{"product_id":"jim-hodges-give-more-than-you-take","title":"Jim Hodges: Give More Than You Take","description":"\u003cp\u003eText by Jeffrey Grove, Olga Viso, Bill Arning, Susan Griffin, Helen Molesworth.\u003c\/p\u003e\n\u003cp\u003eSince the late 1980s, Jim Hodges’ poetic reconsiderations of the material world have inspired a body of multimedia work in which the manmade and artificial are invested with emotion and authenticity. Co-published by the Dallas Museum of Art and the Walker Art Center, this volume accompanies the first comprehensive, scholarly exhibition to be organized in the United States of this critically acclaimed American artist. Examining over 25 years of his artistic career, this uniquely designed catalogue weaves together the voices of many to situate the artist’s work within issues of identity, social activism, illness, beauty, generosity and death. Contributions include an in-depth overview of Hodges’ career by Jeffrey Grove, Hoffman Family Senior Curator of Contemporary Art at the Dallas Museum of Art; an essay and interview with the artist by Olga Viso, Executive Director of the Walker Art Center; a reflection on Hodges’ early artistic development by Bill Arning, Director of the Contemporary Arts Museum, Houston; an essay on sentimentality and the artist’s recent video work by Helen Molesworth, Barbara Lee Chief Curator at the Institute of Contemporary Art, Boston; as well as ruminations on recurring motifs in the artist’s work by author Susan Griffin.\u003cbr\u003e\u003cbr\u003eBorn in 1957 in Spokane, Washington, New York-based artist Jim Hodges has been featured in numerous solo and group exhibitions in the U.S. and in Europe, including the 2004 Whitney Biennial and a solo exhibition at the Centre Georges Pompidou, Paris. Hodges’ work is included in the collections of notable institutions, among them the Dallas Museum of Art; the Walker Art Center, Minneapolis, MN; The Art Institute of Chicago; the Solomon R. Guggenheim Museum, New York; the Hirshhorn Museum and Sculpture Garden, Washington D.C.; Los Angeles County Museum of Art; The Museum of Modern Art, New York; the Philadelphia Museum of Art; the San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York.\u003cbr\u003eBorn in 1957 in Spokane, Washington, New York-based artist Jim Hodges has been featured in numerous solo and group exhibitions in the U.S. and in Europe, including the 2004 Whitney Biennial and a solo exhibition at the Centre Georges Pompidou, Paris. Hodges’ work is included in the collections of notable institutions, among them the Dallas Museum of Art; the Walker Art Center, Minneapolis, MN; The Art Institute of Chicago; the Solomon R. Guggenheim Museum, New York; the Hirshhorn Museum and Sculpture Garden, Washington D.C.; Los Angeles County Museum of Art; The Museum of Modern Art, New York; the Philadelphia Museum of Art; the San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York.\u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977555005735,"sku":null,"price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/image_364c250f-9627-4243-b4de-e22f0efa1925copy.jpg?v=1699746428"},{"product_id":"jannis-kounellis-in-six-acts","title":"Jannis Kounellis in Six Acts","description":"\u003cp\u003eOver the course of more than five decades, Jannis Kounellis developed a singular practice across painting, works on paper, sculpture, installation and hybrid works combining objects with live performance. Playing a central role in the Italian Arte Povera movement of the 1960s and early 1970s, Kounellis created wide-ranging and innovative works exploring theater, migration, history, politics and other themes, which continue to influence subsequent generations of artists.\u003c\/p\u003e\n\u003cp\u003ePublished by the Walker Art Center for the first US Kounellis survey in over 35 years, \u003cem\u003eJannis Kounellis in Six Acts\u003c\/em\u003e offers the most comprehensive assessment of his career to date. The richly illustrated catalog, assembled with the full cooperation of the artist’s estate and archive, presents a first-of-its-kind collection of visual materials and Kounellis’ writings, including image-based exhibition and performance chronologies. The volume also features essays by Vincenzo de Bellis, Claire Gilman, Kit Hammonds and Ara H. Merjian.\u003c\/p\u003e\n\u003cp\u003eJannis Kounellis (1936–2017) was born in Piraeus, Greece. In 1956, he moved to Rome and by 1960 was an active member of the Arte Povera movement. In 1969 he created one of his best-known works: the installation of 12 live horses in the gallery L’Attico in Rome. Kounellis’ first New York solo show was in 1972. 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Text by Vic Brooks, Paul Chan.  \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"booktitlebigred\" itemprop=\"name\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePaul Chan\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(born 1973) is an artist, writer and publisher who lives in New York. Chan is the winner of the Hugo Boss Prize in 2014, and a recipient of a 2022 MacArthur Genius Fellowship. The exhibition \u003c\/span\u003e\u003cem\u003ePaul Chan: Breathers \u003c\/em\u003e\u003cspan\u003eis showing at the Walker Art Center November 17, 2022-July 16, 2023.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis volume surveys Paul Chan’s publications and works made between 2010 and 2022 following his return to artmaking. The exhibition takes as its organizing principle the notion of the “breather,” a word that can signify a moment of rest or pause but can also reference a purposeful redirection toward other activities.\u003c\/p\u003e\n\u003cp\u003eChan’s turn to publishing through the founding of his independent press Badlands Unlimited represented a type of “breather.” Badlands for Chan embodied a radical break that seeded new ideas and ways of working. The term is also what Chan titles a recent major body of work. Breathers is an ongoing series of pneumatic sculptures and installations that he considers a new genre of moving-image works. Tacitly and overtly, the metaphor of the “breather” underscores each of the works in the Walker Art Center exhibition, which, with the artist’s input, is conceived in four sections.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHardcover, 9.5 x 11 in. \/ 212 pgs \/ 243 color \/ 14 bw.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977576272167,"sku":"9781935963240","price":52.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/719tNw9Ao8L._SY522.jpg?v=1699654668"},{"product_id":"no-place-like-home","title":"No Place Like Home","description":"\u003cp\u003eEdited by Douglas Fogle. Contributions by Deepali Dewan. Text by Richard Flood. 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Joseph, Gregor Stemmrich, and Ann Temkin, with an extensive chronology by Maartje Oldenberg. \u003c\/p\u003e\n\u003cp\u003eThis monograph offers the most comprehensive overview to date of Claes Oldenburg's groundbreaking work from the 1960s—from the graffiti inspired representations of modern urban life in the \u003cem\u003eStreet \u003c\/em\u003einstallation and the expressionistically sculpted consumer goods of \u003cem\u003eThe Store \u003c\/em\u003e\u003cem\u003e\u003c\/em\u003eto the colossal interpretations of everyday objects in public spaces. Oldenburg's sculptures present a living theater of objects that variously materialize as soft and limp, hard and formalistic, gigantic, and ghostly. No other modern artist has vivified—and reified—art to the same degree as Oldenburg. In a continual metamorphosis, the object-as-commodity becomes a symbol of the fantasies, desires, and obsessions that are inherent to our daily lives. With its collection of 385 souvenirs, kitsch objects, and studio models, Oldenburg's \u003cem\u003eMouse Museum\u003c\/em\u003e,\u003cem\u003e \u003c\/em\u003ea walk-in miniature museum that found its final form in the 1970s, reveals a fascinating panorama of not only Oldenburg's artistic approaches but also the modern imagination. \u003c\/p\u003e\n\u003cp\u003eDeveloped in close collaboration with the artist and including previously unpublished materials, this richly illustrated volume offers insights into the artist's witty thought processes, while opening up new perspectives on the development of Pop art. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eClaes Oldenburg: The Sixties \u003c\/em\u003eis published on the occasion of the exhibition organized by the Museum moderner Kunst Stiftung Ludwig Wien and touring to the Museum Ludwig, Cologne; the Guggenheim Museum Bilbao; the Museum of Modern Art, New York; and the Walker Art Center, Minneapolis. \u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977589018919,"sku":null,"price":48.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/71x6KeBVjsL._AC_UF1000_1000_QL80.jpg?v=1699645988"},{"product_id":"lee-kit-never","title":"Lee Kit: Never","description":"\u003cp\u003eTexts from Hu Fang, Anthony Yung, Martin Germann, Misa Jeffereis, Olga Viso, Lee Kit, Philippe Van Cauteren\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNever\u003c\/em\u003e consists besides a couple of commissioned essays of a long photographic sequence through installation shots and further visual material out of his practice, which transform the book to a further exhibition space, considering the fact that his exhibitions itself are almost impossible to photograph.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLee Kit´s exhibitions unfold spatially as in-situ installations consisting of, among other things, paintings, projections, daylight, text, carpet, furniture, curtains, walls and museum architecture. The artist describes his exhibitions as three-dimensional paintings in which the effect of light, perspective depth and composition are major parameters. His ‘situations’, how he often applies them, appeal basic emotions and explore the no man’s land between things and their representation, between what is private and what public, and between the personal and the collective.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStarting from the precarious political situation in his native city of Hong Kong, Lee Kit’s work critiques the pursuit of efficiency in our fast-paced capitalist society. His installations make use of everyday things to form the ultimate opposite of this society: by making us experience time at a slower pace and by incorporating mass-produced articles for the promise of intimacy they imply. 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As a contemporary artist in China working with diverse traditions and new and ancient media, Huang has built an artistic universe comprised of provocative installations that challenge the viewer to reconsider everything from the idea of art to national identity to recent history. He was once one of the leading figures of the Xiamen Dada movement--a collective of artists working to create a new Chinese cultural identity by bridging trends in Western modernism with Chinese traditions of Zen and Taoism. He continues to confront established definitions of history and aesthetics with sculptures and installations that draw on the legacies of Joseph Beuys, Arte Povera, and John Cage as well as traditional Chinese art and philosophy, juxtaposing traditional objects, iconic images, and modern references. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eHouse of Oracles\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e echoes that blend by binding photographs, essays, and striking sketchbook pages, which are presented with translations of the artist's calligraphy, in a matte soft cover with two facing spines--it opens with the plates on one side and the essays and artist writings on the other.\u003c\/span\u003e\u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977593671975,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/image_f56efce2-e35a-4b14-9098-219b52da22e7.jpg?v=1699745992"},{"product_id":"nairy-baghramian-deformation-professionnelle","title":"Nairy Baghramian: Déformation Professionnelle","description":"\u003cp data-mce-fragment=\"1\"\u003eOver the past two decades, Nairy Baghramian (Germany, b. 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Here, Baghramian has replaced the original invitation to do a retrospective and presents entirely new sculptures that reflect upon and alter her previous bodies of work from 1999 to 2016. Some pieces incorporate rejected ideas or materials, while others explore variations in form. Baghramian is, as she says, “surveying the survey,” pushing the sculptor’s task into new territory with her ever-evolving practice.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe exhibition takes its name from a French phrase often translated as “professional distortion” or “job conditioning,” referring to ways that a person’s worldview can be altered by their chosen vocation. The artist uses the exhibition as an opportunity to take apart her own profession and lay bare the sculptor’s method. In fact, the word “deformation” can also be applied to form, pointing to basic actions such as shaping, modeling, or casting. 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Art veered between radical and conservative, capricious and political, socially engaged and art-historically aware. Even as Reaganomics dramatically expanded art as a luxury commodity, postmodernism further challenged the very status of representation and shifted artists’ sense of their role in society.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThis Will Have Been: Art, Love \u0026amp; Politics in the 1980s\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003esurveys these and other developments with more than 100 works, including paintings, sculpture, photography, video, audio, works on paper, and documentary material by some 80 artists.\u003c\/p\u003e\n\u003cp\u003eFour sections bring together competing factions of this transformative decade. “The End Is Near” explores the end of painting, the end of the counterculture, and the end of history. “Democracy” focuses on artists’ work in the street and their burgeoning awareness and exploitation of mass media, as well as a broader commitment to the political and the increased prominence of Central American artists and artists of color. “Gender Trouble” shows work evolving out of 1970s feminism, expanding gender roles and addressing new ideas about sexuality and the human figure in art. “Desire and Longing” presents the art of appropriation in relation to the growing visibility of queer culture sparked by the AIDS crisis.\u003c\/p\u003e\n\u003cp\u003eIn deliberately crossing these themes, this contentious exhibition counters the cynicism and irony with which art of this period is sometimes viewed. It presents a vivid portrait of artists struggling with their wants, needs, and desires in an era of political and aesthetic urgency—and situates our contemporary moment within the history of art of the recent past.\u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977603043623,"sku":null,"price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/61Ry1ZF7DbL._AC_UF1000_1000_QL80.jpg?v=1699727624"},{"product_id":"designs-for-different-futures","title":"Designs for Different Futures","description":"\u003cp\u003e\u003cem\u003eDesigns for Different Futures\u003c\/em\u003e records the concrete ideas and abstract dreams of designers, artists, academics, and scientists exploring how design might reframe our futures, socially, ethically, and aesthetically. Encompassing nearly one hundred contemporary examples—from wearable objects to urban infrastructure—this handbook interrogates attitudes toward technology, consumption, beauty, and social and environmental challenges. The projects examined include a typeface unreadable by text-scanning software, the Svalbard Global Seed Vault, a dress incorporating the sound-wave patterns of birds in flight, a shelter for cricket farming, and a speculative prosthetics catalogue for the “post-human.” Commissioned essays and interviews from figures such as Francis Kéré, Bruno Latour, Neri Oxman, and Danielle Wood give voice to issues faced in futures near and far. With perspectives ranging from historical visions of the future to the use of biological materials in production processes, this is essential reading for anyone interested in how design might shape the world to come.\u003c\/p\u003e\n\u003cp\u003eKathryn B. Hiesinger, Michelle Millar Fisher, Emmet Byrne, Maite Borjabad López-Pastor, and Zoë Ryan (editors), with Andrew Blauvelt, Colin Fanning, and Orkan Telhan.\u003c\/p\u003e\n\u003cp\u003eContributions by Juliana Rowen Barton, V. 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Foreword by Mary Ceruti.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eThe Expressionist Figure\u003c\/i\u003e\u003cspan\u003e documents a collection amassed over more than 60 years and recently gifted to the Walker, which includes some 80 superlative works on paper that focus on the figure. Dating from 1900 to 2018, the drawings span more than a century of artistic experimentation in the US and Europe and were executed in mediums ranging from graphite, ink and crayon to pastel, gouache and collage.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAmong the artists represented are Milton Avery, Max Beckmann, Christo, Chuck Close, Edgar Degas, Willem de Kooning, Otto Dix, Marlene Dumas, Arshile Gorky, David Hockney, Jasper Johns, William Kentridge, Ernst Ludwig Kirchner, Paul Klee, Gustav Klimt, René Magritte, Henri Matisse, Joan Miró, Claes Oldenburg, Pablo Picasso, Sigmar Polke, Egon Schiele, Ben Shahn, Zak Smith and Andy Warhol.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePublished on the occasion of the first exhibition of this collection, this luxurious volume includes full-page color reproductions of each drawing along with a catalog entry detailing the history of each object.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlso included are an essay by the collector on his passion for drawing, and curator Joan Rothfuss’ deeply researched short essays on 14 individual works. 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His artworks, at once abstract and political, engage a range of references: from Persian calligraphy to the manifesto, letter, and talisman; from poetry to mathematical equations and computer programming; from the Abstract Expressionist canvas to American vernacular architecture, Bauhaus design, and Russian Constructivism. To follow the line is to explore Armajani’s visionary proposals for both the physical world and the realm of ideas.\u003cbr\u003e\u003cbr\u003ePublished to accompany Armajani’s first US retrospective, this fully illustrated catalogue includes previously unpublished texts as well as a chronology of the Iranian-born, Minneapolis-based artist’s life and work. Contributions by Nazgol Ansarinia, Sam Durant, Barbad Golshiri, and Slavs and Tatars speak to his influence on a younger generation of artists based in the United States, Europe, and the Middle East.\u003cbr\u003e\u003cbr\u003eEdited with text by Clare Davies and Victoria Sung. 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Featuring painting, sculpture, photography, drawing, video and installations by more than 40 artists, \u003ci\u003eLifelike\u003c\/i\u003e is the first publication to address the recent history of artists using these strategies across media.\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eWalker Art Center, 2012\u003c\/li\u003e\n\u003cli\u003ePaperback, 7.75 x 10.25 inches\u003c\/li\u003e\n\u003cli\u003e192 pages\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cbr\u003e \u003c\/b\u003e\u003c\/div\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977636598055,"sku":null,"price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/41Bg9LJkwKL._SY445_SX342.jpg?v=1699651873"},{"product_id":"the-spectacular-of-vernacular","title":"The Spectacular of Vernacular","description":"\u003cp\u003e\u003ci\u003eThe Spectacular of Vernacular\u003c\/i\u003e addresses the role of vernacular forms in the work of 26 artists who utilize craft, folklore and roadside kitsch to explore the role of culturally specific iconography in the increasingly global world of art. Drawing inspiration from such sources as local architecture, amateur photographs and state fair banners, their work runs the spectrum from the sleek to the handcrafted. Inspired by Mike Kelley's observation that \"the mass culture of today is the folk art of tomorrow,\" these artists embrace the totems and neon signs of roadside America. Thus, alongside the visibly handcrafted works of Matthew Day Jackson and Dario Robleto we find the dense and day-glo paintings of Lari Pittman, the glittering trophy heads of Marc Swanson and the urban relics of Rachel Harrison. These works and others suggest a long road trip through the emblems and eyesores of tourist destinations and outmoded hotels. The photography component includes work by William Eggleston, whose color-saturated images gravitate toward the tawdry palette of faded billboards and road signs. This fully-illustrated catalogue includes an essay by exhibition curator Darsie Alexander exploring artists' interest in the vernacular as a means to address aspects of folk ritual, amateur craft and sense of place in their work; a reprint of John Brinckerhoff Jackson's \"Vernacular\" from his seminal 1984 reader \u003ci\u003eDiscovering the Vernacular Landscape\u003c\/i\u003e; and a reflection by artist and curator Andy Sturdevant on the evolution of roadside vernacular, and attendant histories of heartland America where it is so abundant. Also included is a reading list gathered from a cross section of art criticism and cultural studies.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText by Darsie Alexander, Andy Sturdevant, John Brinckerhoff Jackson.\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan class=\"Apple-style-span\" style=\"font-weight: normal;\"\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/div\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977640956199,"sku":null,"price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/81pwcNBlOhL._AC_UF1000_1000_QL80.jpg?v=1699727437"},{"product_id":"robert-gober-sculpture-and-drawing","title":"Robert Gober: Sculpture And Drawing","description":"\u003cp\u003eText by Gary Garrels, Ann Temkin, Richard Flood.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWalker Art Center, 1999\u003c\/li\u003e\n\u003cli\u003ePaperback, 8.25 x 11 inches\u003c\/li\u003e\n\u003cli\u003e144 pages\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977644527911,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/Walker-Art-Center-1999_-67012148.webp?v=1754521248"},{"product_id":"brave-new-worlds","title":"Brave New Worlds","description":"\u003cp\u003eText by Doryun Chong, Yasmil Raymond.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAddressing contemporary international art beyond glib expressions of globalism, \u003ci\u003eBrave New Worlds\u003c\/i\u003e assesses the current state of political consciousness and its multivalent artistic manifestations in an era characterized by the unraveling of a unified world order. Guided by the questions \"How do we know?,\" \"How do we experience?\" and \"How do we dream about the world?,\" 24 artists from Southeastern Europe to South America, from the Middle East to East Asia and from North Africa to North America propose their own answers in paintings, drawings, sculptures, installations and videos. The catalogue includes several brief \"correspondent\" essays, inspired by newspaper reports and penned by an international cast of young art historians, critics and curators, including Max Andrews and Mariana Canepa Luna (Spain), Cecilia Brunson (Chile), Hu Fang (China), Tone Hansen (Norway), Mihnea Mircan (Romania) and José Roca (Colombia). Recent texts by philosopher Kwame Anthony Appiah, celebrated author and activist Arundhati Roy and award-winning foreign correspondent Janine di Giovanni provide additional perspectives on global affairs of the past decade. 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Harris, Denise Ryner, Mireille Miller Young, Mlondolozi Zondi.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAmerican artist Kandis Williams works across collage, sculpture, film, performance, writing, pedagogy and publishing. Her multidisciplinary practice leverages the experience of the body alongside personal and communal histories to explore and challenge notions of race, nationalism, authority and eroticism, among other subjects. Her meticulously compiled collages are densely layered, both in structure—through repetition of forms and figures—and in content, with an emphasis on politically loaded and libidinal images. Often inspired by history painting, these works are composed of images culled from magazines and archival texts, placed into an unsettling interplay. 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